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However, the question remains: can you use FPGA effects when mixing in your DAW? Short answer: yes. So we know we can track and monitor with Antelope’s DSP effects. Your performer won’t be impressed if you spend 10 minutes per input picking out EQs, so when experimentation isn’t an option, Antelope’s plain parametric EQ is perfectly sufficient. It almost feels like there’s too much, and it takes a while to familiarise yourself with the character and nuances of each. The SSL and API models are appropriately punchy, the Pultec and BAE are buttery smooth. EQSĮmulations abound in the EQ space SSL G-Series and E-Series models, three Pultecs, Neumann PEV, three BAE Neve clones, Helios Type 69, API 550A and 550B, Studer 089 and 169, and more. It sounds quite lush and three-dimensional, a useful addition that’ll be appreciated when the talent wants to feel a little less isolated while recording. A nice list of presets helps you reach a decision quicker. You get as much flexibility as you’d want on any reverb plug-in - Colour, Pre-delay, Early and Late Reflection Gain, Richness, Reverb Time, Room Size, and Reverb Level. It’s available on only the first of the four internal mixers, with a Send knob on each channel. Next to the sheer amount of I/O, Antelope’s onboard guitar amps and cabs would have to be the biggest value proposition of this interface.ĪuraVerb is an exclusive reverb engine created by Antelope for tracking purposes a ‘comfort’ reverb, if you will. When it comes to tone, responsiveness, and overall authenticity of sound, the Antelope guitar emulations don’t disappoint. Notwithstanding, I’ve got no hesitation committing most of the clean sounds on the way in to my DAW, even without doubling up a backup dry DI track. They’re still very usable, just not my go-to for heavier distortion sounds. The high gain tones are slightly lacklustre in my opinion, falling short of maintaining clarity and distinction between notes in open chords. Moving the mics around in front of the virtual cones affects the tone quite like you’d expect, in real life.
#Tracking with uad plugins inside daw plus#
There’s a level control for each, plus 45-degree and rear cabinet positions too.
You can choose a pair of cab mics from the AKG C414, Shure SM57, Sennheiser MD421, and Neumann U87. Crunchy blues tones from the Marshall and Tweed Deluxe imitations clean up beautifully when you ease back your guitar’s volume pot.ġ0 cabinets are mix ’n’ matchable with the amps. Wind up the Top Cut knob for a warm jazz lead or if you want glassy sparkle pull up the Fender Blackface with its matching 2×12 cab. The Vox AC30 emulation yields pristine clean tones that feel super snappy and responsive. The partnership with Overloud delivered 10 different guitar amp models, most of which you’ll identify by their appearance, and they come pre-loaded on your new interface.
Zen Tour’s front panel has four DI inputs along with two reamp outputs - a plain giveaway that Antelope is wooing the recording guitarist. Entire AFX (Antelope Effects) chains can be saved and loaded as you please, even onto other AFX channels of your choice - perfect when you want the same compressor/EQ chain on all your choir mics, for example. What’s even crazier is you can stack up to 10 effects on a single channel… why you’d ever need to is beyond me. Right off the bat you get a heap of guitar amplifiers, cabinets, EQs, and compressors, most of which emulate classic gear.
#Tracking with uad plugins inside daw free#
What I like most about Antelope’s FPGA effects is they’re all free part and parcel of an interface purchase, not optional and expensive add-ons. Hardware aside, one of the highlights of the Zen Tour is the onboard FPGA effects. It supports both Thunderbolt and USB 2.0 connectivity, has four onboard preamps, super high quality D-to-A conversion, a built-in talkback mic, smartphone app control, even a touchscreen. It’s a desktop interface by Antelope with a whopping 32 channels of I/O.
#Tracking with uad plugins inside daw software#
The concept was furthered when Antelope collaborated with guitar software company Overloud last year, bringing amplifier and cabinet modelling to the Antelope interface experience. Antelope Audio has been value-adding real-time DSP to its interfaces for a while, thanks to its use of internal Field Programmable Gate Array (FPGA) technology.